Drishyam 3 emotional track a RISK ? / A HANU MAN OVER KILL ?

 The success of Thudarum and Hriddyapoorvam has confused Jeethu Joseph who is getting ready for Drishyam 3. His revelation that the third part will be more on emotions and not a crime thriller like the first two parts where the antagonist and protagonist are in a cat and mouse game but here the family head who successfully helped his daughter from going to jail and with support from family now goes through an emotional turmoil. Read on

Audiences across India are eagerly waiting for Drishyam 3, and director Jeethu Joseph has finally revealed some details. The film will focus on George Kutty’s life four years after Drishyam 2, exploring how much he has changed since then. Unlike the earlier parts, Jeethu Joseph said Drishyam 3 will not be a heavy intelligence thriller. Instead, the story will deal with George Kutty’s insecurities and the emotional consequences of the past. This shift has left fans both curious and worried. Many feel that if the film leans too much on emotions, it may not satisfy audiences who loved the suspense and mind games of the first two instalments. Social media users have compared this risk to Lokesh Kanagaraj’s Coolie, which faced backlash for not meeting expectations. Still, some believe Jeethu Joseph is purposely under hyping Drishyam 3 to surprise audiences with unexpected twists. The legacy of the Drishyam franchise is strong, and fans are hopeful that George Kutty’s next chapter will balance emotion with suspense.

Seeing the rush to cash in audience like for animation film with story from puranas, is Indian cinema going to kill the golden goose ?; Netflix, in collaboration with Alok Jain, Anu Sikka, and Ajit Andhare, has announced Kurukshetra, an animated retelling of the Mahabharata. This marks a strong global push for Indian mythology-based animation. Meanwhile, Telugu producer Naga Vamsi is backing Vayuputra, an animated feature on Lord Hanuman’s life. The film is set for a grand release during Dussehra 2026, raising anticipation across regional and national markets. While these projects are promising, some fans fear the trend could soon become repetitive. The industry often replicates successful formulas, and if this universe grows too fast, many producers may rush into similar stories. By the time several films are released, audiences may feel oversaturated and seek something fresh. This raises doubts about whether mythology alone can sustain long-term engagement. Still, this is a golden chance to shape a homegrown animation industry capable of competing with giants like Pixar and Disney. If handled with care, it can change Indian storytelling forever. If not, it may fade like many other trends. Tags:Mahavatar Narsimha