Mookuthi Amman film is set in Vellimalai of Kanyakumari in Tamil Nadu. A
Godman using the temple’s popularity usurps acres of land to build his ashram.
Reality – In Vellimalai , exists Sri Ramakrishna
Vivekananda Ashram founded by Swami
Ambananda in 1940.. It is one of the most revered institutions that was
nerve center of Hindu renaissance.
Now headed by Swami Chaitnyananda is spread all over the State and in Sri Lanka
teaching Hinduism. They had nothing to
do with land grab and was seen as a counter to the vigorous teaching of Christianity
in Church funded schools of Kanyakumari.
Like the deity Mookuthi Ammaan , Kanyakumari is known for her
diamond nose ring that according to folklore is said to be so sparkling that it
served like a lighthouse to ships. The naming of deity located in this District
as Mookuthi Amman is apt.
Amman getting angry as devotees give more importance to
Tirupati when they can afford a travel and neglecting the kula deivam or Grama
Devata is misplaced Kanyakumari is one
place where local deities are worshipped irrespective of a caste divide. The deity
is not seen as belonging to any Hindu sect and along the coastline, Hindu and Christian
fishermen support these small temples and churches. The belief is that Sea God
is common to all who fish in the sea and to not invoke the wrath, the Christian
and Hindu fishermen patronize each other’s worship places. The Christian fishermen used
to call St. Lucia, Kannamma and considered her the sister of Bhagwati Amma.
They believed that during the Bhagawati Amman Festival at Mandai Kadu,
there would be a good catch of fish. They made offerings at the Bhagwati Amman
temple and their song was:
Kadal Vazhi Vantha Kannamma
Therai Vazhi Vantha Bhagwati Amman.
The Hindus used to make offerings to 'Sakayamata'
church (church of Lady of Perpetual Help). This cultural anthropological fact
is not an epiphenomenon. None of these religious people would like to see the
relations between the communities destroyed. Their religious faith based on
their experience is basic to their 'being'.
As a journalist, I
reported the communal violence that broke out at the Mandikadu Bhagwati Amman temple 'Masi Kodai' festiva in
1982. The festival that year had
witnessed a clash of loudspeakers between the temple and the Church. Further to
this the rumor broke out that Hindu women who went to take customary bath in
the sea were raped by Christian fishermen. 14 fishermen died of police firing. After
this, the District went back to normal.
This violence came a year later after an agreement between the
Vivekananda Rock Memorial Kendra and the Christians running the ferry service.
The grounds for dispute were many like St Francis had also mediated on the rock
and the dredging was a threat to the a small piece of land which housed the
Christian fishermen. The real reason was that the Memorial became synonymous
with Hinduism and not as a national monument.
There can can be no valid reason for deletion of the scene which shows
the pastor `creating’ miracles in the name of Jesus.In Kanyakumari more than 50
% of the Christian population is Pentecostals and CSI The groups that the pastor was shown to represent thrives
the most in this district. Though it was badly conceptualized, the presence of
such activities in Kanyakumari is very much prevalent A stylish presentation of
this `miracle cure’ was allowed to be screened in the Malayalam film ` Trance’.
At the same time, the character of the hero’s sister veering towards Christianity
on her own will and school saying that they had no role in it goes counter to
the video evidence of a prominent Christian
school conducting a prayer session of students in uniforms . The prayers were
bordering on the psychologically brainwashing
of the students. However, the character that the director created could exist
and cannot be seen as whitewashing of conversions that are rampant in
Kanyakumari.
As a person with roots
in Kanyakumari, I have jotted down a few observations about the film as it is
said to be happening from a place , I know.
( source; ibiblio.org
for Mandaikadu background)
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